blossomed (2023) | 3.25'

for concert band; written for the BGSU Academy Band

▼► (2022) | 3.5’

for orchestra

Concord (2020) | 9.75’

for string orchestra

Sonata for Baroque Cello and Chamber Ensemble (2023) | 9'

for solo Baroque cello, Bb clarinet, soprano saxophone, cello, and continuo; written for Joshua Lyphout

Kol Nidre (2020) | 6’

for 8 horns

Oration (2019/2022) | 5'

for flute, 2 clarinets, bass clarinet, 2 horns, 2 trumpets, euphonium, trombone, bass trombone, tuba

Orgelduo (2024) | ca. 70’, variable

for four-hands tracker-action organ; written with Steven Naylor

dmg scrapbook (2020) | 6’

for alto sax., cello, guitar, piano, and drum set; written for dmg quintet

Nocturne (2024) | 7’

for alto sax., cello, and piano; written for Cerulean Trio

Fatal Botany (2023-24) | 5’

for cello and drum set; movement I. written for Ashley Walters and Jose Gurria Cardenas; movement II. written for Joshua Lyphout and Cadence Miller

Music for Microwaves (2023) | 8’

for 2 percussionists; commissioned by Cadence Miller

LOWFAST (2023) | 3’, variable

for 2 pianos

Chicago Sketches (2022-23) | 12’, variable

for clarinet, cello, and piano

time’s dark creek (2021–22) | 9’

for string quartet

Ode (2021) | 5’

for percussion and double bass; written for Hayden Stacki and Adam Har-zvi

Biomes (2020) | 5.5’

for 2 violins

Miniature (2020) | 1’

for bassoon, horn, and piano

Whirlwind (2019 / 2022) | 4.5’

for violin, clarinet, and piano / clarinet, cello, and piano

Felsenmeer (2024) | 5’

for melodica and live electronics

Credits (2024) | variable duration

for solo piano

And we have danced to devils’ tunes, (2024) | variable duration

for solo piano

Motion Studies (2024) | variable duration

for solo piano; written for Abigail Petersen

Praeludium (2024) | 2.5’

for solo clarinet; written for Kamy VanHoose

Wristwatch (2023) | 5’

for solo body percussionist with mallets and amplification; written for Brandon Gouin

fishbowl. (2023) | 5’

for accordion and live electronics

bsnwerk (2023) | 1’

for solo bassoon; written for Brandon Golpe

Organ Shorts (2023) | 15’, variable

for solo tracker action organ

What Makes the Grass So Tall (2023) | 2’

for solo Bb clarinet; written for Zoe Scott

Flamingo Sketches (2023) | 9’

for various solo instruments: flute, alto sax., oboe, bassoon, clarinet, trumpet, trombone, tuba, and horn

speak (2022) | 7’

for solo horn; written for Kaylee Skaris

Mathematics and Its Applications, 13th edition (2022) | variable length

for solo piano

Optical Delusion (2022) | 3’

for solo percussionist; written for Hayden Stacki

Midnight Bell (2022) | 1.5’

for solo piano; written for Jameson Smith

Stratology II (2021) | 10’, variable

for solo piano

Interpretive Dances (2021) | 4’

for solo piano

breathe (2021) | 3’

for solo bass clarinet; written for Jacob Wolf

piecewise (2020/2021) | 4.5’

for solo horn

One (2020) | 3.5’

for solo flute

Three Miniatures (2019) | 5’

for solo piano

Yarn (ongoing) | variable duration

for anything/anyone

Console Piece (2023) | 5’

for audience with portable video game consoles or noisemaking objects; written for the Student Organization in Music Research

Drone Piece (2023) | variable duration

for 2 or more musicians and audience; written for the Student Organization in Music Research

Music for Shoes (2023) | variable duration

for anything/anyone; written for Ian Jones

it free Wonderful (2023) | variable duration

for 3-7 musicians; written for the Nief-Norf Summer Festival

Miniatures from an Exhibition (2022) | variable duration

for any instrumentation

rounding error (2022) | variable duration

for 2 performers

“upon one note” (2022) | 3’

for 5 pitched instruments

Music for Goats (2021) | variable duration

for performer with any number of goats; written for Liz Mathiesen

Drone Piece 9561 (2024) | 15’, variable

fixed media/live synthesis

Neo-Noir Investigations: Original Soundtrack, Part I (2023) | 15’

fixed media; written for James Koehler

Pastorale (2023) | 5’

fixed media

Dissociating in a Bowling Alley (2023) | 1’

fixed media

December 31.5 (2022) | 5.5’

fixed media

nostalgic gentrification (2022) | 1’

fixed media

Chair Piece (2023) | open duration

chairs with transducers, electronics, and optional improvisers; written with Elijah Stewart

Water Quality (2024)